It made me think about Kid Fun, back when I was a kid. The poster on the shop window is advertising the ShamRock-the-Rose-District party, scheduled for tomorrow, and – in addition to craft beers and live music – it mentions a Kid Zone.
That probably means a Bouncy-House and some face painting. I’ve not been to a Kid Zone in a while, admittedly, so there could well be video gaming and selfie-snapping as well.
When I was a kid, and owing to my sweet tooth, I was fascinated by the Cake Walk. A chance to win an entire, fresh-baked cake for the price of a ticket. A carnival ticket cheap enough that a cake-loving kid could afford to give it a shot.
It was easy to recognize the event as a carnival favorite: It didn’t run continuously, so when folks began to sense it was nearing cake-walk-time, they would sidle up to the edge of the gaming circle. Then, when the call went out, all those lingerers would quickly step into an open space on the double-lined ring taped off on the ground. There were only so many numbered spots available and once the circle filled – well, the rest of the hopefuls were out of luck.
The Cake Walk was like a horizontal Wheel of Fortune without the tough questions to answer. The music started and the march began. When the person in front of you moved out of their numbered square, you took that small step forward. We’d march around for the length of that 45-rpm song playing on that little box of a record player.
When the music ended, the finger-crossing began, in hopes that the number to be drawn from the hat would match the digits under your feet. There was always a tension-delay – a pause before the winning number was enthusiastically called out. Time enough to shift your feet a couple of times to look down and verify that – for certain – the number you were standing on was still the same number.
Number Five! And there would be a squeal of delight from that spot on the circle, while everyone else kept their groans to a polite minimum before disappointedly slinking away to another rambunctious activity.
Like the fishing thing. It’s been too long, but I’m sure it had some catchy name. There were fishing poles handed out from the volunteers to the participants, sturdy poles with long heavy twine dangling from the business end. Instead of an actual hook – a clothes pin.
I’ve admitted to most of you that I was probably the most naïve kid west of the Mississippi, but I even embarrassed myself for that brief instant before I realized there were people standing behind the hanging bed sheets who were clipping prizes to the dangling clothespins.
(I don’t know what I thought: I mean, the fishing pole implied ‘fishing’ and some degree of skill, experience, knowledge… No. You slung the line over the sheet and someone clipped on a prize. Woo.)
So, it was ‘grab bag’ on a stick. My prize?
A 45. Yellow and red label, Capitol Records. The Beatles. I Saw Her Standing There.
It was the beginning of my fan-hood, the predicator to my visits to that storm-cellar of a record department at Hunt’s Department Store, a retail area about twice the size of my bedroom closet.
Being naïve, I later bought with empty-pop-bottle-earned cash, a record – also by the Beatles – on a straight black label. The song was called “My Bonnie,” as in, My Bonnie lies over the ocean, my Bonnie lies over the sea.
I thought the record was doing most of the lying, since even I could recognize the singing as rock-and-roll short-shrift. I examined the label more closely. Sure enough, The Beatles. And in little, tiny print just below that: “with Tony Sheridan.” In fact, this was a Tony Sheridan record with the early-day Beatles as his studio backing band. The label should have read TONY SHERIDAN (with musicians who became the Beatles).
Beatles or not, it maintained a place in my stack of records for years and years – if only to remind a take-it-at-face-value guy that sometimes it pays to read the fine print.
