Rare, Collectible, & Otherwise

Tag: new (Page 23 of 46)

Apologies, from the orphans and myself.

I confess to it. I did it. Blame no one else. My apologies.

John Fogerty (and Creedence Clearwater Revival, or CCR as we hipsters used to call them) posed the musical question – Who’ll Stop the Rain? – back in 1970.

In mid-Summer 2013 in Broken Arrow, OK… I did. Sorry folks, I know we needed it, but I wanted to keep the driver’s seat dry and – without thinking – I strolled out and rolled up my car window.

Oops, and – again – sorry about that.

Nothing like anticipating a thing to kill any chance of it. As I look out the window now, even as it approaches dusk, there is nothing to be seen but blue skies over our fair city.

Sorry.

It would not have happened except for the fact that it is Sunday, store closed, day off, and here I am working away at the front counter. Pricing books and running them out to the shelves (maybe that’s a stretch. Limping them out quickly is probably more accurate), I noticed the cloud cover and thereby completed my rain-killing activities. I actually held off washing the car, which would have guaranteed a downpour.

Sorry.

As for the work aspect on the day of rest: I managed to get the huge backlog of books sitting around in stacks at the front of the shop on the shelves. I unpacked ten boxes of new arrivals and stacked them for sorting at the back. I inventoried (perhaps) three boxes of the new arrivals.

Would have done more, except I could tell they would require some reorganization of the shelves. Man. One thing does lead to another. Had to change the height of the shelves in several bookcases, dig out additional shelving from the back of the storage closet, clean everything as I moved it, and re-align the inventory. New signs had to be hand-labeled. Nothing too big when considered alone, but – as a project – enough to make an eight hour workday out of a store-visit on my day off.

While checking in the orphans (the books, you know, are like children in my custody and care while I prepare them for new homes), I realized that some of these are the final glimpses of our past. A good many of the books on the back table will never be digitized by Google or Kindle or Kessinger or anybody. These little orphans in my custody are truly – orphans.

Many are recollections of pioneer folks who lived in the times of our grandparents and great-grandparents, who took the time and effort to record on paper their stories. It’s clear from looking at the interior that a number of these have been typed by hand (on that old machine called a typewriter, which was like a keyboard without a screen, digital memory, or insert-mode). The subject? A specific and localized region of our US. Some of these contain history of Oklahoma and Indian Territory. Some are recollections of a family’s involvement in the history of that time. Some are from Arizona and New Mexico. There are books on this table with original source material from Nebraska, Minnnesota, and Illinois.

There is a book about the early history of a Caribbean island – not one of the tourist traps – with information that will never be found by the Google digitizing radar. The second image is a book by a woman in NW Oklahoma who chronicles her family’s life in that area, with details of the local history – facts that will be lost unless this particular orphan finds a good home.

Among the stacks in the image are several signed copies, including a memoir by the mother of Dr. Karl Menninger, an eminent psychiatric pioneer who autographed the title page with a note of his connection to the author. Getting a signed copy on your Kindle, Nook, or iPad just won’t be the same.

It made me a little more optimistic about the many shelves of dinosaur-style inventory I maintain. I understand the convenience and trendy-ness of electronic reading devices. Looking over and handling my physical inventory, for me, is a sensory connection. There is a place for plastic books displayed on a digital-file optimizing glass, with touch control. I know that. I can appreciate that. I just can’t believe it means there is no place remaining for paper-and-cloth-bound books in the digital age.

Maybe I’m in charge of protecting the orphans who won’t be a part of that assimilation. If any of you have concerns, their safety is well-placed, and I do my best to vet new guardians before letting them out the front door.

Come visit! (I’ll keep the orphan’s singing to a minimum!)

McHuston

Booksellers & Irish Bistro
Rose District
122 S Main Street, Broken Arrow OK!

Can’t Park? Snark!

Snark. Sounds like the noise that smart-alecky friend uses to follow up his low humor. SNARK. SNARK. Or, maybe – drawn out – like, SNAAAAAARK! It could have swimmers scrambling out of the surf like crazy.

Panicked-sounding fellow: SNAAAAAARK!

Beach vacation-ers, in unison: WHERE?

Surprised-sounding fellow: Why, right here, of course. My guitar is badly out of tune.

Snark. The guitar-tuning miracle. Install the shiny little battery, clip it to the head of the guitar, and twist those little pegs. Somehow, it knows what string you’re messing with and the little tune-ometer (like a speedometer, only for sound. That’s what I thought of anyway, when I first saw it…), the guage, I suppose is more accurate – lights up to indicate flat or sharp. All green? Perfect tuning for the string.

I’ve had guitar tuners in the past. Most have worked only with guitars set up to be used with amplifiers. Plug the cord in to the guitar, the other end into the tuner. Tune away.

Snark? No chords. No muss, no fuss.

To me, these little inventions are more fun than all the Angry Birds you can throw a stick at. (Or a rock, if that’s your phone-app’s version.) And unlike Angry Birds, when you’re finished playing with it, you have actually accomplished something other than wasting time.

And why am I playing with guitar tuning?

Partly because I am currently waiting for some bookbinding glue to dry enough to move on to another part of the project.

And partly also, because of the jack-hammering, dirt-scooping, power-generating machinery that is causing the jam-up on Main Street today. The street-landscaping project is in full bloom and the varieties of big yellow equipment are rumbling around like dinosaurs on steroids. There are a couple of lots open, but on-Main street parking is sort of a challenge, at times.

The UPS man bustled in, shaking his head. His sixth attempt to bring in my package. No place to park. Front is jammed. Back, too. The gas company chose this week to move and re-set all the gas meters in the alleyway behind the buildings. My car is baking in the sun about a block away, by the park. Couldn’t get around the dinosaurs to reach my back door and its parking spot.

The Tulsa World ran a nice story this morning about the progress. Of course – progress – is a word that has to be used in reference to the long term. Veronica Reyes is quoted in the article and sounded both optimistic and upbeat. She’s the owner of Fiesta Mambo, a business on the east side of Main, where there is currently no parking at all.

I’m with her. When it is all finished, the Rose District is going to be Mah-vuh-luss. We’re all going to love it. Ms Reyes has booked a band for Thursday evening at Mambo (on Main) and a number of other merchants are having First Thursday specials. (This month, on Second Thursday, since the traditional late-night affair fell on July 4th.)

Honestly, I believe it’s worth the slight inconvenience of park-and-walking a little. The Mambo chimichanga is a tasty meal and a real value at the price. Same with the treats at Nouveau Chocolat. Main Street Tavern continues to draw customers for its dining offerings.

I imagine we’re all having up and down days, what with the construction. Tuesday was a jump and run-to-keep-up day here at the bookstore. Today?

I’ve got the books, just need some sand for a summertime beach read. I could yell SNAAAAARK!

And get this old guitar tuned up.

Come visit!

McHuston

Booksellers & Irish Bistro
Rose District
122 South Main, Broken Arrow OK!

Civil War. HI-DEF.

Before every newscast, the Channel 6 announcer reminds us we are watching “Oklahoma’s Own, in HIGH DEFINITION.” Woohoo. I’m thinking by now, everyone is pretty square with that concept. Hearing it, I am personally reminded of the Quinn-Martin productions back in the day, when the announcer solemnly pronounced “The FBI…in COLOR.” Oh, to clarify: THE FBI was a television program back when television was carved on stone tablets and pitched onto the front lawn. One of the Roman gods was probably director or set assistant. Good guys always won. In color.

Boom. Wow. In Color. Of course, the announcer had to TELL us we were watching color television, because in the black and white age leading up to it, we had no idea what that weird spectrum was we were witnessing. Oh. COLOR! That’s IT!

Me: Color? Oh, yeah! COLOR! That rainbow thing! Right on our television.”

And then – technology happened.

Me, years later: Oh, yeah! HIGH DEFINITION! That’s why I only see half of the meteorologist! Maybe I should get a new TV.

Believe it or not, there was a time before television. Before radio, even. People had to sit around in the dark and play with mudpies. They liked it. They LOVED it.

I’m kidding there. People wanted to be entertained just the same in the olden days, so they went down to the park on Sunday after church and listened to speakers orate (or orators speak, if you prefer). There were bands, a la John Phillips Sousa. Picnics. There were tournaments for watching paint dry and the rising and falling of the thermometer.

Then there was the Harper’s Weekly magazine. During the US Civil War, photography was in its infancy, and the newspaper relied on engravings to pass images along to their readers, (ie. Downloaders…). The paper was a connection to the outside world. Most people at the time would never travel outside their own county. Very few Americans would cross the Atlantic Ocean, or even dip their toes in it, for that matter. You can click on any image for a larger view of what your great-great-great-grandparents waited to receive at the mailbox.

Harper’s Weekly was the window to the world in HIGH DEFINITION. Unfortunately, my telephone-camera is closer to Civil War technology than iPhone, and does not deliver the crisp lines included in the Harper’s graphics. The volume I’m currently rebinding is from the year 1861, which – you recall – is the time of the US Civil War.

Matthew Brady was an early photographer during that time. A famous one, later in history, for his Civil War images. Lithographers working for Harper’s would be handed an M. Brady photograph and would create a lithographic plate (read that, draw freehand, using the photo as a model) that could be reproduced in the paper. The detail is simply incredible.

Many of these magazines are currently purchased and cut up, sold as individual images on sites like eBay. During the Civil War era, families saved their subscription copies and had them bound up – at the end of the year – in a hardback volume that they could keep for years and years, and look back upon in their leisure time. Believe me, compared to our soccer, Little League, PTA, TV prime time, and commuting schedules – they had plenty of leisure time. Just no GameBoys, et al.

When I’m finished, I plan to teleport the restored book back in time, so some family can have a window on the news of the current war, fashion, and upcoming works of fiction.

Or maybe, I’ll hand it back over to the fellow who asked me to rebind it.

Come visit!

McHuston

Booksellers & Irish Bistro
122 South Main Street
Broken Arrow, OK!

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