Rare, Collectible, & Otherwise

Author: admin (Page 74 of 220)

Bookwork. The binding kind.

I bought a book and some work today. One of those eBay auctions that seemed appealing at the moment. You find yourself with the winning bid and then wonder: What was I thinking?

Obviously, I love books. History, too. Put me in front of historical old books and I’m like a kid in a candy store.

The auction? A book from 1824 written by Washington Irving under the pen name Launcelot Longstaff. Salmagundi was a periodical written between 1807 and 1808 by Irving and his brother, along with another fellow. They were poking fun at New York and New Yorkers like the satirical Mad Magazine does. Irving’s publisher took the stories from his periodicals and turned them into a book.

Washington Irving has come up several times in the course of my research work, although I’m not sure why that is. Once, I was trying to track down an oil painting for someone and there were indications the artwork was owned by the museum at Irving’s New York state home. (They couldn’t find it, but I think the curator enjoyed the hunt as much as I did…)

Somewhere along the line I had learned that Irving entered (what was then) Indian Territory as part of a western tour. The 1832 Henry Ellsworth expedition passed directly through areas along the Arkansas River where Broken Arrow and Bixby were later founded. In fact, Bixby has remembered the tour with its Washington Irving Memorial Park and Arboretum, just north of the river bridge on Memorial.

So, my little auction-find pre-dates his visit to Oklahoma. The fact that the book was published during Irving’s lifetime is a major bonus.

The “work” part of the purchase? The rebinding that will be required to put it back into presentable shape.

Besides the bidding and buying, these book adventures represent the possibility of learning something new. This auction-win came through on that account as well.

In trying to figure out what the title of the book made reference to, I learned that Washington Irving was also behind the New York terms “knickerbocker” (as in New York Knicks), and “Gotham” (often rendered as Gotham City). The title “Salmagundi” is a word representing a “mish-mash” or “wide variety.” Irving’s periodical was obviously well-named, even if obscurely so. Diedrich Knickerbocker was another Irving pen name. I knew that one, but didn’t know that it was in his Salmagundi periodical that Washington Irving poked fun at New Yorkers and suggested their intellectually-challenged nature was just the same as the knuckleheads who lived in Gotham, Nottinghamshire, England.

You never know what terms and phrases will stick.

But, I’m guessing most NBA Knicks fans and Batman-Gotham City aficionados don’t know the reason those terms are in use. (I suppose I shouldn’t feel smug about it, since I only just learned it today.)

So much for this salmagundi of non-essential information…

Come visit!

McHuston

Booksellers & Irish Bistro
Rose District
122 South Main St. Broken Arrow OK!

Long too soon for Goodbye.

They were huddled in the living room between the couch and the big easy chair, banging out Mustang Sally on electric guitars. A handful of us watched in the remaining floor space between the amplifiers, the drummer, and the walls.

The guy standing next to my friend Craig wasn’t playing, but it was apparent that he was a musician. His name was DeWayne and had that rock-and-roll look. Maybe Allman Brothers or Stevie Ray Vaughn. He was lean and angular and wore his blonde hair long – at least, for that day and age. But he was SO young.

Looking back on that evening, I’m guessing DeWayne Kennon must have been in junior high – 9th grade, I suppose.

There were garage bands around, but not so many in McAlester that one didn’t know the others. It’s still a small town. This band on that day wasn’t out in the cold, but jammed into the living room of one of their parents, jamming to rattle the windows. It was as close to live music as I had ever experienced.

After a couple of songs the drummer said something to the others and the skinny blonde kid opened a guitar case and pulled out a left-handed Fender.

A minute or so later, his age was no longer even considered. His music was the real deal.

The band was called Crystal Image and they even had posters. Print-shop-quality posters. They had played on television on a dance show in Tulsa or Fort Smith. About as professional as you can get for high school lads from McAlester, Oklahoma.

It has been enough years ago that the personnel changes are a little fuzzy, but at some point, DeWayne became the guitar player for the band. In the picture (which I have borrowed courtesy of Paul Choate’s website. Paul, I hope you don’t mind…), you can see the fellows who were the basis of Crystal Image. From left to right: Paul Choate, bass; DeWayne Kennon, guitar; Kenny Milam, guitar; Larry Hall, drums.

Still later on, I got to play with them and I can only imagine that I talked my way in. They didn’t let me join in for my musical prowess, that’s for certain. We weren’t known as Crystal Image at that point: the band was simply called – Kennon. I may have had ignition keys to the equipment-hauling van but we all knew it was DeWayne and his guitar-licks driving our musical bus.

Like anything else, there were highs and lows – but it was always fun playing music with DeWayne, his cousin Larry Hall on drums, and bass player Ronnie Christian. We played several weeks running at a nightspot called Roadhouse West, a venue I was technically too young to enter. I thought we had developed a star-quality following after a number of weekly appearances, but found out after the fact that the packed house and its dancing, partying, fun-loving crowd was mostly due to a liberal underage admittance policy. (I had thought I recognized some faces in the audience… )

Then there was that one-nighter at a college hangout in Ada, Oklahoma, where the stage was situated along a wall without a single electrical outlet. The house was rockin’ and we were in full swing when suddenly my electric piano went mute, and DeWayne and Ronnie’s guitars fell silent. In fact, the whole house went quiet except for Larry and his drums.

He began to slow his tempo, while looking around, and then finally just quit. In the ensuing silence of the nightclub, Larry pointed a drumstick toward a corner table and called to the people sitting there.

You’ve unplugged our extension cord, he said. Will you plug us back in?

They did, and we went back to work.

Since my piano was oversized, it was normally set up on the stage in a manner that had me facing the band rather than the audience. DeWayne and Larry used to talk about watching some of the dancers. I never said anything, but I enjoyed watching DeWaye, Larry, and Ronnie playing and singing. It was a thrill to me, just to be up there with them.

We practiced new material in a loft we had rented over a ladies’ dress shop. Some of you will remember it as catty-corner from the old Hunt’s Department Store in downtown McAlester. It was a long, narrow flight of stairs to get up there.

And I played a piano.

It was smaller than the normal home instrument, but it was still bulky and heavy. It took all of us to drag it up the stairs. Late one night, about halfway to the upper landing, DeWayne moaned a little under the weight, and then asked me why I hadn’t learned to play the flute instead. Lucky I hadn’t. There was no spot in the band for a flute player.

I’m a poor correspondent. Hadn’t spoken to DeWayne and Larry for years and then, probably 25 years ago and completely out of the blue – we ran into each other at the Tulsa zoo. Ronnie married and joined the service and I had not heard a thing about him until I saw him listed as a pall bearer in the News-Capital obituary.

DeWayne died earlier this week.

It turns out, he was only a year younger than me, but first impressions seem to stick and that kid with the left-handed guitar didn’t look old enough to play all those years ago. And he is too young to have left us.

Thanks for helping me carry that piano all those nights, DeWayne. And thanks for carrying me and the boys with your excellent guitar playing. I just wish there was such a thing as a life-encore so I could have heard you play one more tune before you left the stage.

TV took the Radio star.

I never heard him on the radio, but Jim Lange worked behind the microphone for decades in California. His stints in Los Angeles and the Bay area brought him to the attention of the TV producers. And that’s how I became familiar with him.

Lange was the smiling host of the Dating Game from its debut in the sixties through the last of the seventies. The Dating Game was the show that ran just before the six o’clock local news, which I found myself doing back then.

Of course, if someone had asked me if I watched the show, I probably would have denied it. Not really high-brow entertainment (as though I would qualify for high-brow anyway). I didn’t see much of the start of the nightly episode since I was working on the news script, but I saw my share of the picking of the bachelor or bachorettes. By that time of the program, I was at the newsdesk, just waiting for Mr. Lange to give us our kiss goodbye (won’t go into that).

Pretty hokey, as I recall. Even by four-decade’s ago standards. Still, the show ran for ten years or so.

Jim Lange died earlier this week of a heart attack at the age of 81.

He auditioned and won a spot on a radio show while in high school in Minnesota. He served three years in the military following college, but caught a break in 1962 when he became the announcer for the Tennessee Ernie Ford Show. (I won’t try to explain who he was. That’s Google material.)

After The Dating Game, he hosted other game shows like The New Newlywed Game (the Old Newlywed Game was another KSWO-TV lead-in show), Hollywood Connection, and Name That Tune.

He told people his first love was radio, and even after his ‘official’ retirement from broadcasting in 2005, he served as the morning-drive guy on KABL-FM playing the oldies. I suppose that would have him as one of the few radio folks who worked all the way through radio’s Middle Ages (which, by my reckoning, was that period ushered in by Top 40 and ending with computer-driven programming, satellite broadcasts, and streaming internet).

May both Jim Lange and that era of radio: RIP.

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